firing techniques

UPCOMING SHOWS/EXHIBITS                         UPCOMING_SHOWS___EXHIBITS.htmlUPCOMING_SHOWS___EXHIBITS.htmlshapeimage_5_link_0shapeimage_5_link_1
ARTIST SPOTLIGHTARTIST_SPOTLIGHT.htmlARTIST_SPOTLIGHT.htmlshapeimage_6_link_0shapeimage_6_link_1


The black lines on the black and white pieces are produced by firing the piece to approximately 1200 degrees F. (the second firing) and then applying actual horsehair to the hot surface so that the hair carbonizes into the clay and produces the black lines.


In raku firing, a glaze is applied to the surface of the piece and during the second firing it is taken out of the kiln with tongs when it is red hot and placed in a metal container of combustible materials such as newspaper or straw. When the material bursts into flames, the lid is placed on the container to shut off the oxygen thus, depending on the glaze, producing a crackle effect or an iridescent finish. 


The bisque pieces are painted with the chemical ferric chloride and wrapped in aluminum foil before being placed in the kiln. During firing, the ferric chloride and the aluminum foil react to one another producing the pinkish color on the surface of the piece.

This technique combines the ferric chloride process described above but is applied to a glazed surface. This combination requires an additional firing.

In addition, the tails and manes of the horses are made of horseshoe nails and are imbedded into the piece when the horse is still soft, prior to the first firing.


Each of the pieces that I produce is individually constructed from slabs of clay and bisque fired (the first firing) to approximately 1800 degrees F.  The surfaces are then treated in a variety of ways to create the effects that you see: